I love the idea of music that is tied to specific places. It’s a stimulating challenge for a composer: to try and write music that somehow evokes or captures a place.
That’s one of the things I wanted to do when I was approached by Neworld Theatre to write the music for C.E. Gatchalian‘s new podplay, Authentic, which was released today and is available from the Neworld Theatre website.
(What’s a podplay? It’s a play you experience while walking a particular route, in a specific place, through your earphones. There’s a great explanation here.)
Authentic is a love story between two men from very different cities, a Vancouverite and a New Yorker. The script is gorgeous, highly evocative, and the performances (by actors Marco Soriano and Bob Frazer) are very compelling. It was a privilege to work with this material.
I strove to create a musical flow that had two contrasting motifs within it: two motifs that would reflect the differences between the two cities, but that could also meld into each other. The Adagietto from Gustav Mahler‘s 5th Symphony plays a part in the story, so I wanted to incorporate snippets from that lovely, famous melody into the music for this play, as well; and, finally, because it is a play that unfolds along two of downtown Vancouver’s busiest streets, Seymour and Richards, I wanted city sounds to make up a part of the music too.