Archives for category: Radio

Dramatic irony is one of those storytelling techniques we all learn about in high school, and I haven’t thought about it much since then – except to enjoy it, when it’s used effectively, and even then, I don’t sit there and think, “This is a really great example of dramatic irony.”

But I’ve been thinking a lot about dramatic irony this week. This afternoon, on CBC Radio 2‘s Saturday Afternoon at the Opera, I’ll be presenting Lucrezia Borgia by Gaetano Donizetti. It’s a paragon when it comes to the tension and emotional impact that dramatic irony can confer. Especially when the incredible Edita Gruberová is in the title role.

For it’s the music which amps up the power of Donizetti’s plot line (which he adapted from a play by Victor Hugo, which in turn describes a fictional episode in the life of the real historical figure, Lucrezia Borgia.)

Usually, when the audience is in on something (as is always the case with dramatic irony) it has been well and duly tipped off: for example, in Romeo and Juliet, we all know Juliet’s not dead; she’s merely taken a sleeping potion, even if the rest of the characters (save the friar) are unawares.

But in the Prologue of Lucrezia Borgia, it’s never revealed to the audience that Gennaro’s long-lost mother is in fact Lucrezia. Sure, it’s blatantly obvious, if you’re paying attention. It may as well have been written into the script. But it wasn’t, and this creates an opportunity for Donizetti to tell you with the music. When Lucrezia first spots Gennaro asleep by the side of the canal in Venice, the tenderness with which she sings is unmistakable. It’s unconditional, maternal love. Donizetti captures her restraint, too, in the music: she can’t tell Gennaro when he wakes and tells her about his long-lost mother. And Donizetti captures her anguish too.

A mere reading of the plot doesn’t impart the effectiveness of this particular example of dramatic irony. The story itself isn’t what impresses. Here, it’s all about the music. A kind of musical irony – shall we call it operatic irony? (Or, perhaps better – melodramatic irony.)

In Gruberová’s voice, it’s all the more heartrending. If you’ve the opportunity to watch it, I highly recommend the documentary “The Art of Bel Canto”, all about the ageless Gruberová, and the amazing operatic career that has already spanned four decades. Towards the end of the above clip from this doc, there’s an example of just how powerful the end of Lucrezia Borgia can be in her hands.

 

RPM.fm is a fantastic new website devoted to covering indigenous music, operated out of a small office in Vancouver’s Chinatown, in the heart of Coast Salish Territories.

For the past couple of months it’s been my honour and privilege to work with the team over at RPM.fm creating and producing the RPM Podcast, Season 1. So far, there are nine episodes covering various genres and topics, like the music of the North Coast, or New Traditional music, or Native Hip-Hop. Check ‘em all out – you’ll discover fabulous new music by artists with whom you may not be familiar, and hear some pretty interesting stories as well.

Episode 10 will go live Wednesday, November 2nd.

On a personal note – ever since I heard (and fell in love with) Robbie Robertson‘s Music for the Native Americans as a teenager, I’ve listened avidly to the wide array of musics created by the indigenous peoples of North America. They straddle a unique position, culturally: they are creators of music in a variety of genres, but they also carry a common cultural background and history to the music they create that is particular to this part of the world. My friends at RPM call the whole thing Indigenous Music Culture. It defies categorization: it’s not “native music”, yet it is; it’s rock, or it’s hip hop, or country, or traditional music – yet it all belongs under the same umbrella. And yet it belongs also to the broader musical subculture of each genre as well, that may have nothing to do with being indigenous.

In this way the music of the indigenous cultures of North America, for me, offers us a useful and interesting metaphor: that non-Natives and Natives share some elements of the same music (not to mention the same land), while being simultaneously different and yet having many things in common.

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The Vancouver area is a bhangra hotbed. It’s one of the world’s capitals of bhangra, thanks to the large Punjabi community that has already lived here for several generations. Some of the world’s biggest bhangra stars call Surrey, BC home. And each year Vancouver hosts the City of Bhangra Festival, a celebration featuring performances, symposia, and an international bhangra dance competition.

The 2009 edition of City of Bhangra – or, as it was then known, the Vancouver International Bhangra Celebration – takes centre stage in this documentary I produced and directed for CBC Radio & ABC Radio National, which was rebroadcast today on CBC’s Inside the Music.

If you missed it, you can listen to it in full right here:

I must confess I didn’t really know anything about the Ancient Greek author and historian Thucydides until a marvellous opportunity to learn all about him landed in my lap.

Nicola Luksic is a fantastic journalist and producer with CBC Radio in Toronto, and a wonderful person with whom to collaborate. Nicola’s produced some of the finest programs to hit the airwaves in the past few years, including And Sometimes Y, The Bottom Line, the double Gabriel-Award-winning 2010-11 season of Tapestry, and many more.

This past season Nicola also wrote & produced a documentary for CBC’s Ideas about Thucydides, and I was thrilled when she asked me to select scoring music and do the sound mix. With the help of the APM music production library, I tried to create an atmosphere that would immerse listeners in the world of Ancient Athens, Sparta, and the Peloponnesian War.

LISTEN HERE to Nicola’s excellent doc, Thucydides: The First Journalist.

A couple of years ago I produced & directed two audio documentaries on the music of the Indian Subcontinent for CBC Radio in Canada and ABC Radio National in Australia.

Episode 1, about the music of Bollywood, was rebroadcast today on CBC Radio across Canada. But if you missed it, fret not! You can listen to it in its entirety right here, below. Episode 2: Bhangra airs next Sunday on Inside the Music.

CLICK HERE to listen to Gros Morne: The Bones of the Earth – my feature documentary about how the theory of plate tectonics found firm footing in Gros Morne National Park, in Western Newfoundland.

UPDATE: Bones of the Earth wins Gold Medal at New York Festivals!

2011 marks the 100th anniversary of Parks Canada.

In Western Newfoundland, there’s a national park that holds the key to one of the most important scientific ideas of our times.

Gros Morne National Park is kind of like the Galápagos of geology – you might go to the Galápagos to experience first-hand the wonder of biology and the theory of evolution. In Gros Morne, you can experience first-hand the wonder of geology and the theory of plate tectonics.

Instead of looking out for Darwin’s finches and giant tortoises you’ll come face-to-face with vistas and rock formations that will take your breath away.

About a year ago, I was lucky enough to go to Gros Morne with my microphones to capture the echo of a continental dance that happened 500 million years ago.

My colleague (and great friend) Chris Brookes and I sought out that echo in the words of geologists, artists, musicians and poets, and in the sounds of the park itself.

We composed music based on the field recordings, too. (Listen to excerpts from the original soundtrack.)

Then we wove it all together, along with poetry by Don McKay and traditional Newfoundland music performed by Daniel Payne, Jean Hewson and Christina Smith.

The result is a documentary called Gros Morne: The Bones of the Earth, and you can listen on-demand, whenever you like, HERE.

This documentary was produced with the support of Parks Canada, and sometime this summer, a longer version, presented by Shelagh Rogers, will be available in Gros Morne National Park and online.

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I love recording things. Capturing moments in time. Working in radio is like being a photographer of sound.

Microphones are like best friends. They’re reliable. They don’t lie. They tell you exactly what happened. Who said what. How it all went down.

Recently on CBC Radio’s DNTO, I joined Sook-Yin Lee to tell the story of the day my mic let me down.

It happened a few years ago when I was producing a CBC summer show called Subcultures.  Host Hal Niedzviecki and I were in backcountry BC, “embedded”, I guess you could say, in the subculture of cryptozoologists – people who spend the better part of their waking hours in the pursuit of mythical creatures, like the Ogopogo or the Sasquatch (aka Bigfoot).

That morning might have been the breakthrough cryptozoologists were waiting for, because we might have nearly recorded the sound of a Sasquatch snuffling.

The Land Rover you see dangling off the side of the road in the photo above is part of the story. (It was much worse than it looks in the photo. Sasquatch hunter Thomas and I were almost fish food.)

Here’s the rest of the story:

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The Chinese New Year is next week, and the Year of the Tiger is coming to a close.

I’ve been thinking a lot about tigers this week, because I spent the earlier part of it completely wrapped up in and riveted by John Vaillant’s superb book, The Tiger: A True Story of Vengeance and Survival. In addition to being incredibly well-researched, and a gripping adventure story, it’s also an eloquent tribute to this iconic predator with whom we have a surprising amount of qualities in common – and that we are in danger of driving into extinction.

Much to my surprise, as I was finishing up the last chapters, I was called in to guest-host CBC Radio’s NXNW this weekend (because the program’s amazing regular host, Sheryl MacKay, is sick) – and discovered I’d have the opportunity to speak with John about his book. You can hear the interview on the NXNW podcast for January 30th.

photo by Daragh Owens

As this Year of the Tiger comes to its end, I’m finding myself hoping that when the next one rolls around in 2022, we won’t be talking about how there are only a few tigers left in the wild, but rather how the tiger population has increased. There are a number of conservation organizations trying to help save the tiger.

Also on the show this weekend: the irrepressibly creative singer/songwriter and painter Mae Moore talks about her beautiful new book and new album, both called Folklore; actor and comedian Gary Jones reflects on the resurgence of live storytelling; the story of a gorgeous new children’s book out of Haida Gwai’i about Aboriginal basketball, and much more including of course lots of great music from here in BC and beyond. Hope you can join me 6 am – 9 am Saturday and Sunday.

How do you mash up the sound of a year? In less than 2 minutes?

It’s an interesting challenge, and CBC Radio One’s Saturday morning show Day 6 put it to me a couple of weeks ago.

They gave me some simple parameters – I had to use clips relating to their Big 6 stories, the top stories of 2010 in six categories as selected by Day 6′s listeners, unveiled on their New Year’s Day program: Haiti, the Chilean Miners, the BP Oil Spill, Steig Larsson, Betty White and the iPad. They also asked me to include 2 stories that didn’t make their final cut – Justin Bieber’s popularity, and the Wikileaks affair.

So I trawled the internet for 2010 audio gold and threw a little something together. Day 6 posted the result on their website. But you can also hear it here:

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One of the most poignant clips I found was a short quote from Barack Obama, during a press conference about the BP oil spill in the Gulf of Mexico. He tells the story of how his daughter asks him, “Have you plugged the hole yet, daddy?”

Here’s hoping we can all plug some holes and make the world a little bit better in 2011 than it was in 2010.

This is what the autumn cattle auction looks like in Okanagan Falls, BC.

I went there in October to speak to some of the ranchers who live in the South Okanagan-Similkameen area of southern British Columbia, near Oliver and Keremeos.

The ranchers are very concerned about a proposal for a National Park which has been underway for about 7 years. If you drive through the area, you can’t miss the NO NATIONAL PARK signs by the side of the highway.

They’re worried a park will threaten their livelihood, because it will mean they’d lose access to crown lands for grazing purposes.

On the flip side, the area is very ecologically sensitive and unique in Canada. It’s a desert-like, arid environment full of endangered species, and park proponents are also concerned – they’re worried that, without a park, development will mean big changes to this beautiful and relatively untouched area.

One of the reasons it’s untouched is because the ranchers and local First Nations have been such good stewards of the land.

But with so much development in the Okanagan Valley, it’s uncertain whether this ecologically sensitive landscape will survive in the long term, and environmentalists say a National Park is urgently needed.

It’s a very complicated situation and the people involved are all very passionate about their particular point of view, whether it’s for or against the park.  I put together this report for All Points West on CBC Radio 1 in BC, giving a general overview of this story about a very beautiful and important part of the province in which I live.

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