Archives for category: Docs

The Vancouver area is a bhangra hotbed. It’s one of the world’s capitals of bhangra, thanks to the large Punjabi community that has already lived here for several generations. Some of the world’s biggest bhangra stars call Surrey, BC home. And each year Vancouver hosts the City of Bhangra Festival, a celebration featuring performances, symposia, and an international bhangra dance competition.

The 2009 edition of City of Bhangra – or, as it was then known, the Vancouver International Bhangra Celebration – takes centre stage in this documentary I produced and directed for CBC Radio & ABC Radio National, which was rebroadcast today on CBC’s Inside the Music.

If you missed it, you can listen to it in full right here:

I must confess I didn’t really know anything about the Ancient Greek author and historian Thucydides until a marvellous opportunity to learn all about him landed in my lap.

Nicola Luksic is a fantastic journalist and producer with CBC Radio in Toronto, and a wonderful person with whom to collaborate. Nicola’s produced some of the finest programs to hit the airwaves in the past few years, including And Sometimes Y, The Bottom Line, the double Gabriel-Award-winning 2010-11 season of Tapestry, and many more.

This past season Nicola also wrote & produced a documentary for CBC’s Ideas about Thucydides, and I was thrilled when she asked me to select scoring music and do the sound mix. With the help of the APM music production library, I tried to create an atmosphere that would immerse listeners in the world of Ancient Athens, Sparta, and the Peloponnesian War.

LISTEN HERE to Nicola’s excellent doc, Thucydides: The First Journalist.

A couple of years ago I produced & directed two audio documentaries on the music of the Indian Subcontinent for CBC Radio in Canada and ABC Radio National in Australia.

Episode 1, about the music of Bollywood, was rebroadcast today on CBC Radio across Canada. But if you missed it, fret not! You can listen to it in its entirety right here, below. Episode 2: Bhangra airs next Sunday on Inside the Music.

CLICK HERE to listen to Gros Morne: The Bones of the Earth – my feature documentary about how the theory of plate tectonics found firm footing in Gros Morne National Park, in Western Newfoundland.

UPDATE: Bones of the Earth wins Gold Medal at New York Festivals!

2011 marks the 100th anniversary of Parks Canada.

In Western Newfoundland, there’s a national park that holds the key to one of the most important scientific ideas of our times.

Gros Morne National Park is kind of like the Galápagos of geology – you might go to the Galápagos to experience first-hand the wonder of biology and the theory of evolution. In Gros Morne, you can experience first-hand the wonder of geology and the theory of plate tectonics.

Instead of looking out for Darwin’s finches and giant tortoises you’ll come face-to-face with vistas and rock formations that will take your breath away.

About a year ago, I was lucky enough to go to Gros Morne with my microphones to capture the echo of a continental dance that happened 500 million years ago.

My colleague (and great friend) Chris Brookes and I sought out that echo in the words of geologists, artists, musicians and poets, and in the sounds of the park itself.

We composed music based on the field recordings, too. (Listen to excerpts from the original soundtrack.)

Then we wove it all together, along with poetry by Don McKay and traditional Newfoundland music performed by Daniel Payne, Jean Hewson and Christina Smith.

The result is a documentary called Gros Morne: The Bones of the Earth, and you can listen on-demand, whenever you like, HERE.

This documentary was produced with the support of Parks Canada, and sometime this summer, a longer version, presented by Shelagh Rogers, will be available in Gros Morne National Park and online.

Read the rest of this entry »

For years now, I’ve been experiencing the onset of a slow love affair with cricket. Maybe it’s because I love puzzles (especially the cryptic kind), and here in North America, cricket is usually shrouded in mystery.  It’s viewed as baseball’s exotic, off-kilter cousin whose rules are just a bit too cryptic to figure out, thank you very much, especially if there’s a baseball game on.

As it turns out, just as with cryptic crosswords, puzzling through the rules of cricket offers great satisfaction.  Now that I have a clue what’s happening on the pitch, I can hardly tear myself away.  And the language!  Can any other sport compete with googlies, doosras, yorkers, maiden overs and ducks?

There’s a kind of poetry to cricket.  In honour of the 2011 Cricket World Cup, about to begin in India, Sri Lanka and Bangladesh, here’s my mini-doc on how I came to love the sport:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

And my guide to Team Canada appears in this week’s edition of Eye Weekly in Toronto.

Read the rest of this entry »

The good folks over at The Banff Centre have been publishing a gorgeous multimedia journal for the past couple of years called BoulderPavement.  The latest issue is based around the idea of Body & Dance and features fabulous original artwork and compelling literary non-fiction, among other things.

I’ve been lucky enough to contribute regularly to BoulderPavement and I’m thrilled to be a part of this issue as well.  For this original audio composition I decided I wanted to get at the question of the origins of rhythm, and the close relationship between music and our bodies that we sometimes take for granted.

Thinking about this, I remembered a great story told by Ustad Zakir Hussain when my colleagues and I interviewed him for a project called The Nerve. That became the basis for this mini-doc, a kind of “scored story” with original music and sound design.

Listen here.

2010 marks the 200th anniversary of the birth of the great Romantic-era composer Robert Schumann.

Schumann was perhaps the archetypal moody artist, alternating between blazing bouts of creativity and periods of antisocial depression.

It’s a common cliché that has, all too often, been sustained by sad life stories punctuated by tragic endings. Schumann died a broken man in an insane asylum. More recently, we’ve seen gifted musicians like Kurt Cobain and Elliott Smith take their own lives after struggling with depression.

There are many, many others who fit the cliché (Tchaikovsky, Billie Holiday, Joy Division’s Ian Curtis…the list goes on and on). Why are there so many artists and musicians that struggle with depression and other forms of mental illness?

Anthony Storr was a British psychiatrist who wrote about music and mental illness in his book Music and the Mind. He suggested that there might be a link between mental illness and creativity – he wrote: “The ability to think creatively, to make new links between concepts, is more often found in families which include a member who is diagnosable as mentally ill.”

I can’t be absolutely certain, but I’d be surprised if Schumann, Cobain and Smith weren’t at their happiest when they were writing and playing music. We’ve all experienced a moment in our lives when music has helped us get through a rough patch; when listening to or singing a particular song has just seemed to simultaneously hurt so good and help mitigate the pain.

Is it also possible that, for Schumann, Cobain and Smith, music was almost like self-medication, a treatment for their mental ailments?

I put together a short musical essay about music and mental illness that first aired on CBC Radio 2′s In Concert on Sunday October 24th, 2010. You can listen to it here:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

For info on all the music I used in the piece, please look here and scroll down to the list of musical works.

I’m thrilled to announce that my documentary The Sound and the Sea has won a Silver Medal for Best Sound at the 2010 New York Festivals Radio Program and Promotion Awards.

I produced it last year for CBC Radio’s The Current. It was based on my original audio artwork Ode to the Salish Sea. Producing it in documentary format allowed me to explore more deeply the story of the Salish Sea and its various proponents and opponents as a new name for the inland waters stretching from Olympia, WA to Campbell River, BC.

The Salish Sea became an official geographic name in July, 2010, overlaying but not replacing existing place names like the Strait of Georgia and Puget Sound, which also remain official.

The sound design of The Sound and the Sea was inspired by the diversity and beauty of the Pacific Northwest. Listen to it here:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

There’s a great new show launching on CBC Radio today called Day 6.

They commissioned me to create a sound piece that made me pay close attention to a story that I might have willfully ignored as overblown media hype – and that I think the international news media really ought to have ignored: the hate-filled ravings of a certain Islamophobic pastor in Florida.

The assignment was to remix some of the soundbites to come out of the story in a 90-second “for-the-record” news mashup.

I thought “American Idiot” by Green Day might provide an appropriate musical counterpoint to all the hysteria.

Listen to the mashup on the Day 6 website by clicking HERE.

I first started suffering from tinnitus about seven years ago. I’ve learned how to live with it, mostly. It usually affects me the most when I’m in a very silent environment, like somewhere in the wilderness.

Gordon Hempton is someone who knows all about very quiet places and so I thought he might have some insight into how I might learn to listen to them again despite my tinnitus. He’s a Grammy-award winning sound recordist and acoustic ecologist based in Port Angeles, WA, and he’s also the founder and caretaker of One Square Inch of silence in Washington’s Olympic National Park – the quietest place in the USA.

When we spoke, he said some very interesting things about how society is sort of suffering from a collective temporary hearing loss – and how he believes that learning how to listen again could help us take better care of the planet we live on. I mixed his words from that conversation together with some of my recordings of human and environmental sounds to create this short radio piece:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

This piece originally ran a few weeks ago on CBC Radio’s excellent summer series The Bottom Line with David Suzuki. (If you haven’t heard it yet, I highly recommend checking it out. It’s on every Sunday at 11 am for the rest of the summer.)